I've mentioned a few times that Kalyanji Anandji scores post-1980 usually leave me cold... well, here's an exception. What's good about 'Haadsaa' is the fact that they seem to be exerting themselves again; trying to transcend what by 1982 had become formulaic, and mostly dull. Meaning better songs and melodies, more subtle/less tacky arrangements, and some pretty ace grooves. Hightlights are
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